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Posts from the ‘Art’ Category

Discovering Arthur Goss

Series 372, Subseries 58 - Road and street condition photographs

From 1911 to 1940, Arthur Goss served as Toronto’s official photographer. He captured thousands of images of the health and social problems presented by urban poverty in early 20th Century Toronto. His specialty in depicting slums highlighted the dark realities that destitute immigrants faced.

As many of you know, Canada was built by immigrants and many of us, including myself, are first generation Canadians.

Goss died in 1940 at a relatively young age, but his work is still widely celebrated.

Michael Ondaatje used many of Goss’ images for his novel In the Skin of a Lion, to obtain a more thorough understanding of the working class experience. He even included Goss as a character in the novel, which I read many years ago, after The English Patient, of course. I loved the character Hana so much that I wrote my own short story with her as the main protagonist for a creative writing course in OAC. I got 100 per cent!

That’s beside the point of this post though.

Goss’ work is currently on exhibit at the Ryerson Image Centre (May 1 – June 2 and June 19 – August 25) as part of the Scotiabank CONTACT Photo Festival. If you’re in Toronto during this time, I suggest you take it in. I promise you that it’ll provide a more comprehensive education on Toronto’s less than rosy history.

Ryerson Image Centre
33 Gould Street

 

Come Up to My Room

Photo courtesy of BlogTO

Photo courtesy of BlogTO

The Gladstone Hotel hosted the 10th anniversary of Come Up To My Room. The exhibition celebrates art and design over the course of four days (it ended yesterday), showcasing the work of 40 artists with 25 installations. This was my first year attending the event, and though the $10 entry fee was a little steep for the amount of art on display, I had a good time. I didn’t have my camera with me so I’ve taken (or stolen, whichever you prefer!) some photographs of the exhibition from BlogTO and the Torontoist. Sue me.

Photo courtesy of BlogTO

Photo courtesy of BlogTO

Photo courtesy of Torontoist

Photo courtesy of Torontoist

Photo courtesy of Torontoist

Photo courtesy of Torontoist

“I no ruin, I fix”

Many of you will remember the story of  Cecilia Giménez, the Spanish woman who took it upon herself to restore the 1930s fresco painting Ecce Homo (Behold the Man), by painter Elías García Martínez. Giménez is an 80-year-old amateur artist who found the deteriorated painting in her local church. Her restored version has been humorously named Ecce Mono (Behold the Monkey).

Above is an SNL sketch of Seth Meyers interviewing a greedy Giménez, who is portrayed by feature player Kate McKinnon, who holds the distinction of being the first openly lesbian cast member in the show’s 38 year history. Below you can see the before and after versions of the now infamous painting. Now gimme my money, I need to buy anchovies!!!

File:Ecce Homo (Elías García Martínez).jpg - Wikipedia, the free encyclopedia

Long night, I’m tired

Lisa and painting 2

Lisa designs the covers of books for the publishing company Harper Collins and gets invited to really cool events, including book signings and what not. Yesterday we went to an art gallery opening and then walked over to her house to eat some vegan curry and watch the remaining episodes of The Walking Dead’s third season. After that, and a lot of wine, we went to a karaoke bar for some person’s birthday, the person being an individual who I last saw 10 years ago, and I barely spoke to her all night. These are the only photos from what was. Now I’m severely tired and in desperate need of coffee. What I learned is that I should start selling my photographs for $2,600.

Oh yeah, and just to add, I submitted an essay to The Globe and Mail and they have agreed to publish it. I’ll let you know when it is available online and in print.

Lisa and painting

Pretty

Vegan Curry

Lisa’s vegan curry

Ultimate Dinosaurs: Giants from Gondwana at the Royal Ontario Museum (ROM)

Photo courtesy of David Evans

The rain has been endlessly falling in Toronto for the past week. There’s little to do but cozy up with a duvet and a good book and waste the day away. However last weekend I went to the ROM to view the Ultimate Dinosaurs: Giants from Gondwana exhibition. Overall it was a good experience if you ignored the screaming children running around crying out for their mothers in fear. Why do people bring their children to the museum when they’re too young to appreciate the displays?

Ranting aside, I felt the exhibit was worth the admission fee especially since it grants access to the rest of the museum. Paleontologist and curator David Evans spent four years working on the project. The largest skeleton called a Futalognkosaurus is so large that it can only fit in the museum’s lobby. It’s the largest dinosaur ever displayed in Canada.

Incentive much?

Surprisingly many of the fossils are from Saharan Africa, Madagascar, and the Patagonia region of Argentina. To bring the dinosaurs to life the exhibit uses Augmented Reality (AR) technology that allows visitors to scan the creatures to illuminate what the dinosaurs would have looked like with skin.

Frida Kahlo at the Art Gallery of Ontario (AGO)

Last weekend I took in the Frida Khalo exhibit at the AGO. I’m fascinated by Latin culture, especially after living in Argentina for close to a year. It was while travelling through Buenos Aires and Mendoza province that I fully understood the richness and colour of a people who many of us in North America take for granted. There are many lessons to heed from Latin Americans. While in Argentina I had never been witness to such warmth and compassion in my life before, and it was refreshing to see how their culture is one based on trust and generosity.

Of course Khalo was not Argentine, but Mexican. Different country than what I experienced but similar mind-set and revolutionary spirit is shared between the people from both regions.

The exhibit is not Khalo’s alone, her works share the same space as her husband, Diego Rivera. Though Rivera was more popular at the time, it’s been in death that Khalo’s talents have been properly acknowledged, arguably surpassing Rivera.

Frida & Diego: Passion, Politics and Painting features 75 works by the artists, drawn primarily from the collection of Mexico’s Museo Dolores Olmedo. These works highlight Rivera and Kahlo’s lives together and apart, their politics and relationship to society and how their passionate views and activism influenced their work. The exhibition will be at the AGO from Oct. 20, 2012 through Jan. 20, 2013.

While enjoying the paintings and impressive photographic collections on display I was struck with how in love Khalo was with her philandering husband, and how, like many wives, she fed her spouse’s enormous ego because his happiness was more important to her than her own. Khalo died at a young age, she was only 47, and it’s a shame that while alive she did not have the conviction to explore her own eccentricities sans Diego. It’s a revelation to how stifling love and relationships can be to personal enlightenment and emotional freedom.

If you get a chance take in the exhibit. It’s far more impressive than Picasso’s reign earlier this summer.

Milk Glass Co. Gallery and Custom Framing

Note: Two months ago I was approached by Tim Shore, the editor at BlogTO, to write regular reviews on contemporary art galleries in Toronto. I submitted my first assignment, and after I was asked to make a few edits, I was told that my article would be posted. It never was. In fact, I never heard from Mr. Shore again. It was poor form on his part, but what could I do? I felt bad for the owners who were expecting to see their gallery featured on Toronto’s most popular blog. To make up for it, I’m posting it here. I hope you like it.

Milk Glass Co. Gallery is nestled between two unassuming buildings; if you’re not observant, you might walk right past it. When you do pause to take a peek, you’ll realize, like I did, that it’s a gem of a discovery at the forefront of a new artistic sensibility in the area.

Located in the always changing Dundas Street West and Ossington barrio, former office dwellers, Kelly Wray and Char Da Silva, have created an accessible space that caters to music, fashion, and visual art aficionados. In fact, one of their specialties is custom framing, offering quality selections for novice artists to showcase their artwork.

The interior space – once a law office — is open and inviting, with brightly painted walls that perfectly accentuate and compliment the artwork. If you’re thirsty, try the iced-coffee, or ask Kelly and Char what else is available, they don’t mind! Perhaps they’ll even whip up a concoction for you. What’s available is a casual, relaxing environment that everyone is welcome to explore. What could be better?

Milk Glass Co. Gallery officially opened this past June, and when I first stopped by one humid and sticky weekday afternoon I was immediately struck with its refreshing and eclectic flavour. There’s a lot to keep you focused, and entertained; Kelly and Char have a finite attention to detail, whether it be the artwork framing the walls, the intricate furniture choices, or the clothing that lines each rack, you cannot ignore this place.

Exhibitions change each month, with local and international artists showcasing their work, and the space can be booked for private events. The closing reception of Michael Toke’s “Sex, Physics and the Evolution of Man” series occurred last week and Silent Shout will present her first visual arts gallery titled “Space Diamonds Are Real”.

What I found most impressive during my conversation with Char and Kelly is how they are attempting to reinvent the way that the community views art. With a focus on accessibility they offer a safe haven for those who are distrusting and intimidated by the rigidity of traditional art galleries.

Recently, they’ve started partnering with local galleries in the neighbourhood, encouraging art enthusiasts to gallery hop. If a visit during a weeknight is any indication, it’s working, as more people are flocking to the street to learn what all the fuss is about.

With Dundas Street West under constant gentrification (condos and lofts are quickly rising) it’s only a matter of time before Mill Glass Co. Gallery is flooded with first-time home owners requesting custom framing and stunning art to add to their new décor.

Milk Glass Co. Gallery is open Tuesday to Sunday between 1 pm And 7 pm but usually stays open later as locals stop by to peruse the selections and chat with fellow art lovers. They’re located at 1247 Dundas Street West.

Store glass window

On my trip to the ice cream parlour I noticed this beautiful woman staring back at me. Disappointingly the parlour was closed, but the painting made up for it.

The Crucible at Soulpepper Theatre

The Crucible Toronto

Imagine a time when people were so stupid that they believed witches walked among us. Well it happened, and Arthur Miller wrote The Crucible to remind people. It’s 1692 and a small devout Christian town is in chaos with accusations of witchcraft. All one needed to do was accuse a woman of being a witch and she was burned alive without the decency of a proper defence. Miller’s account of the famous Salem witch trials caused a sensation when it first appeared in 1952, drawing parallels with the biggest fear of that time: Communism.

Lisa and I made it out to watch The Crucible at Soulpepper Theatre tonight. The performances were powerful and the woman who played Abigail was impressively convincing in her portrayal. The play’s last curtain call is September 22 so if you have a few bucks and two and a half hours, I recommend you check it out.

Most chilling is the with-us-or-against us philosophy adopted by many of the play’s characters. The sentiment is shocking because it was recently used by George W. Bush before he invaded two oil-rich countries. We seldom learn from our mistakes do we? Or history.

The flavor music video has arrived

Shot in New York City and produced by Danielle Levitt the Flavor music video has finally arrived. I like it, but then again, there’s nothing about Tori that I don’t enjoy.

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